Model Behavior by Kurt

28 photos; 3:03 video

 

A shiver went down Glen's spine as he stood nude in the professor's bedroom. He was used to posing nude for Professor McHandy's art classes at the university but he had never been asked to his home before. But a hundred bucks for an hour or two of posing wasn't to be sneezed at, so he shook off the odd feeling he had as he stepped out of his tiny CK briefs.
Glen was proud of his buff body, and he knew he got appreciative glances from both sexes as he strutted around campus in his tight jeans. It had only enhanced his already sizable ego when he had been asked to pose for McHandy's life-drawing class. A side benefit had been the slips of paper bearing phone numbers he had often found lying near his clothes at the end of class. 
"Ah, Glen, all ready, I see." The Professor's voice startled the tawny-haired stud as he entered the bedroom. The artist had a large sketch pad in his hands and something that looked like a wide leather belt of some kind.
"Yeah, Professor, " Glen replied. "What do you want me to do?"

The Professor's eyes quickly traveled over the handsome model's body from head to toe.
"Glen, are you familiar with Michelangelo's "Slave" sculptures?" he asked.
"Uh, no," Glen replied, "Slave?"
"Well, as you know, Michelangelo was one of the greatest artists of the male human form to have ever lived. His sculptures and drawings of the male body are the greatest in art history. The "Slave" sculptures portray young men as captured and bound slaves, struggling against their bonds. The bondage was a way of accentuating the musculature and contorting the body so the artist could more clearly see the various
muscle groups at work. I would like to do some sketches of you on that theme. Would you mind?"
"I guess not," said Glen. "But what do you mean, 'bound;"?

"Well, tied up, of course," McHandy replied jovially. "These leather restraints will hold your hands behind your back. The strain on your arms will highlight those nice pecs and abs of yours. It won't hurt, I promise."
"Well, OK," the model replied innocently.
"Great! Now put your hands behind your back."
Glen obeyed, and soon felt the thick leather bands being strapped around his wrists. He heard the click of metal as they were securely buckled, and felt the pull of his muscles through his arms and biceps and right across his chest, just as the Professor had said.

"Oh yes, very nice," said McHandy as he began some quick sketches. "Oh, I've forgotten one thing!"
Glen lost sight of the artist as he stepped behind him. He could hardly
react as a black blur passed his eyes, and a long, black, penis-shaped
object was pushed firmly against his lips.
"Wait...what...?? Gugggh...MMPPHH!!" Glen sputtered as the leather gag was shoved between his parted lips. He felt a strap being buckled behind his head, and his speech was reduced to muffled gibberish.
"There!" the Professor exclaimed. "In ancient times, captive prisoners were usually also gagged so they could not call down curses on their captors."

This was one bit of art history Glen could have done without. He mumbled his protest at being gagged, but the Professor took no notice as he became absorbed in his sketching. After a few moments, McHandy came forward and gave Glen a soft shove, which resulted in his losing his balance and tumbling onto the bed. Before he knew it, his ankles were tied together with another leather strap. The Professor stayed seated next to him on the bed. 
"Now, Glen, you did know that Michelangelo was gay, didn't you?" he purred, stroking the model's hefty cock and balls.
"MMMMPPPHHHHHHHHHHH!!!!!" 

The end

Glen played by Stan
Photography by Caitiff

Date of Production: 11/04/2005

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